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HOPELESSNESS

by ANOHNI

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about

ANOHNI has collaborated with Oneohtrix Point Never and Hudson Mohawke on the artist's latest work, HOPELESSNESS.

Late last year, ANOHNI, the lead singer from Antony and the Johnsons, released “4 DEGREES", a bombastic dance track celebrating global boiling and collapsing biodiversity.  Rather than taking refuge in good intentions, ANOHNI gives voice to the attitude sublimated within her behavior as she continues to consume in a fossil fuel-based economy. ANOHNI released “4 DEGREES,” the first single from her upcoming album HOPELESSNESS, to support the Paris climate conference this past December.

The song emerged earlier last year in live performances. As discussed by ANOHNI: "I have grown tired of grieving for humanity, and I also thought I was not being entirely honest by pretending that I am not a part of the problem," she said. “’4 DEGREES' is kind of a brutal attempt to hold myself accountable, not just valorize my intentions, but also reflect on the true impact of my behaviors.”

The album, HOPELESSNESS, to be released world wide on May 6th 2016, is a dance record with soulful vocals and lyrics addressing surveillance, drone warfare, and ecocide.  A radical departure from the singer’s symphonic collaborations, the album seeks to disrupt assumptions about popular music through the collision of electronic sound and highly politicized lyrics.  ANOHNI will present select concerts in Europe, Australia and the US in support of HOPELESSNESS this Summer.

credits

released May 6, 2016

ANOHNI: Vocals, Beat programming, Keyboards, Piano
Daniel Lopatin (aka Oneohtrix Point Never): Beat programming, keyboards
Ross Birchard (aka Hudson Mohawke): Beat programming, keyboards


Violent Men:

Bianca Casady: additional vocals
Sierra Casady: additional vocals

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about

ANOHNI New York, New York

ANOHNI has collaborated with Oneohtrix Point Never & Hudson Mohawke on the artist's latest work. The album HOPELESSNESS is a dance record with soulful vocals and lyrics addressing surveillance, drone warfare, and ecocide. A departure from the singer’s symphonic work, the album seeks to disrupt assumptions about popular music through the collision of electronic sound and highly politicized lyrics. ... more

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